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A lens with relatively few glass-air surfaces, it was developed by Dr. Ludwig Bertele at ZEISS in 1930. At the time it was one of the fastest high-speed lenses for 35 mm photography, with apertures as large as 1:1.5 and high contrast thanks to effective stray light reduction. Its high speed and high contrast helped give the lens its name, which is derived from the word “sun,” the symbol of maximum brightness. You continue to find the aforementioned benefits with modern lenses in the normal and telephoto ranges whose optical design is based on this basic type.

A lens with relatively few glass-air surfaces, it was developed by Dr. Ludwig Bertele at ZEISS in 1930. At the time it was one of the fastest high-speed lenses for 35 mm photography, with apertures as large as 1:1.5 and high contrast thanks to effective stray light reduction. Its high speed and high contrast helped give the lens its name, which is derived from the word “sun,” the symbol of maximum brightness. You continue to find the aforementioned benefits with modern lenses in the normal and telephoto ranges whose optical design is based on this basic type.

The Planar lens design is the most successful – and most frequently copied – camera lens design of all time. Modifications to the tried-and-tested six-lens basic type ensure that it achieves the high imaging quality required by modern sensors. Lenses with a Planar optical design enable consistent performance across a large range of image scales – the key requirement for universal macro-lenses.

The Planar lens design is the most successful – and most frequently copied – camera lens design of all time. Modifications to the tried-and-tested six-lens basic type ensure that it achieves the high imaging quality required by modern sensors. Lenses with a Planar optical design enable consistent performance across a large range of image scales – the key requirement for universal macro-lenses.

Based on special types of high-index optical glass from the Schott Glaswerke and Dr. Paul Rudolph's optical design, the Tessar lens achieved world renown for its definition: the eagle eye of your camera. The ZEISS Tessar lens originally featured a four-lens design and is reflected in the product name: Tessar is derived from the Greek word tessares, meaning four.

Based on special types of high-index optical glass from the Schott Glaswerke and Dr. Paul Rudolph's optical design, the Tessar lens achieved world renown for its definition: the eagle eye of your camera. The ZEISS Tessar lens originally featured a four-lens design and is reflected in the product name: Tessar is derived from the Greek word tessares, meaning four.

Hiter objektiv formata FX s svetlobno močjo f/1,8 in klasično fiksno goriščno razdaljo 35 mm.

Nudi močno kombinacijo klasične goriščne in svetlobne moči, zato je ta vsestranski in lahki objektiv kot nalašč za ulično fotografijo in portrete v naravi, pa tudi za fotografiranje krajine. Goriščnica 35 mm ustvarja brezčasne, privlačne slike, svetlobna moč f/1,8 pa omogoča čudovito mehko zameglitev ozadja in jasne posnetke v šibki svetlobi. Optika, ki je zasnovana za visokoločljiva tipala, in izjemno kompaktna konstrukcija tega objektiva vam omogoča, da zajamete različne prizore v vsej njihovi lepoti.

Svetel objektiv formata FX s fiksno goriščno razdaljo 24 mm. S tem ultraširokokotnim objektivom s svetlobno močjo f/1,8 lahko preprosto posnamete dinamične slike, ki vas bodo potegnile vase.