Objektivi

Carl Zeiss Milvus 2,0 / 135 ZF.2 Nikon srednji tele objektiv z značilno apochromatic sonnar, odlično optiko, natančnim nadzorom in položajem ostrenja. Zasnovan je za FX poln format Nikon F nameščen na DSLR in tudi možnostjo uporabe DX modelov, kjer bo zagotovil 202,5 mm enakovredno goriščno razdaljo. Carl Zeiss T* prevleka proti odsevu zagotavlja maksimalen kontrast in prikaz barv z zmanjšanjem razpršene svetlobe in odsevov v objektiv. Kovinsko ohišje dopolnjuje obroč z gumo, ki omogoča natančen nadzor ročnega ostrenja in je hkrati tudi zaščita pred prahom in vlago.

Carl Zeiss Milvus 2,0 / 135 ZE Canon srednji tele objektiv z značilno apochromatic sonnar, odlično optiko, natančnim nadzorom in položajem ostrenja. Zasnovan je za poln format Canon EF nameščen na DSLR in tudi možnostjo uporabe APS - C modelov, kjer bo zagotovil 216 mm enakovredno goriščno razdaljo. Carl Zeiss T* prevleka proti odsevu zagotavlja maksimalen kontrast in prikaz barv z zmanjšanjem razpršene svetlobe in odsevov v objektiv. Kovinsko ohišje dopolnjuje obroč z gumo, ki omogoča natančen nadzor ročnega ostrenja in je hkrati tudi zaščita pred prahom in vlago.

The Planar lens design is the most successful – and most frequently copied – camera lens design of all time. Modifications to the tried-and-tested six-lens basic type ensure that it achieves the high imaging quality required by modern sensors. Lenses with a Planar optical design enable consistent performance across a large range of image scales – the key requirement for universal macro-lenses. 

The Planar lens design is the most successful – and most frequently copied – camera lens design of all time. Modifications to the tried-and-tested six-lens basic type ensure that it achieves the high imaging quality required by modern sensors. Lenses with a Planar optical design enable consistent performance across a large range of image scales – the key requirement for universal macro-lenses. 

A lens with relatively few glass-air surfaces, it was developed by Dr. Ludwig Bertele at ZEISS in 1930. At the time it was one of the fastest high-speed lenses for 35 mm photography, with apertures as large as 1:1.5 and high contrast thanks to effective stray light reduction. Its high speed and high contrast helped give the lens its name, which is derived from the word “sun,” the symbol of maximum brightness. You continue to find the aforementioned benefits with modern lenses in the normal and telephoto ranges whose optical design is based on this basic type.

A lens with relatively few glass-air surfaces, it was developed by Dr. Ludwig Bertele at ZEISS in 1930. At the time it was one of the fastest high-speed lenses for 35 mm photography, with apertures as large as 1:1.5 and high contrast thanks to effective stray light reduction. Its high speed and high contrast helped give the lens its name, which is derived from the word “sun,” the symbol of maximum brightness. You continue to find the aforementioned benefits with modern lenses in the normal and telephoto ranges whose optical design is based on this basic type.

A lens with relatively few glass-air surfaces, it was developed by Dr. Ludwig Bertele at ZEISS in 1930. At the time it was one of the fastest high-speed lenses for 35 mm photography, with apertures as large as 1:1.5 and high contrast thanks to effective stray light reduction. Its high speed and high contrast helped give the lens its name, which is derived from the word “sun,” the symbol of maximum brightness. You continue to find the aforementioned benefits with modern lenses in the normal and telephoto ranges whose optical design is based on this basic type.

The Planar lens design is the most successful – and most frequently copied – camera lens design of all time. Modifications to the tried-and-tested six-lens basic type ensure that it achieves the high imaging quality required by modern sensors. Lenses with a Planar optical design enable consistent performance across a large range of image scales – the key requirement for universal macro-lenses.

The Planar lens design is the most successful – and most frequently copied – camera lens design of all time. Modifications to the tried-and-tested six-lens basic type ensure that it achieves the high imaging quality required by modern sensors. Lenses with a Planar optical design enable consistent performance across a large range of image scales – the key requirement for universal macro-lenses.

Based on special types of high-index optical glass from the Schott Glaswerke and Dr. Paul Rudolph's optical design, the Tessar lens achieved world renown for its definition: the eagle eye of your camera. The ZEISS Tessar lens originally featured a four-lens design and is reflected in the product name: Tessar is derived from the Greek word tessares, meaning four.

Based on special types of high-index optical glass from the Schott Glaswerke and Dr. Paul Rudolph's optical design, the Tessar lens achieved world renown for its definition: the eagle eye of your camera. The ZEISS Tessar lens originally featured a four-lens design and is reflected in the product name: Tessar is derived from the Greek word tessares, meaning four.